Butter

Butter is one of the craziest movies I've seen in a long while. The plot is preposterous. The characters are over the top. The whole thing is whacked. Yet, it all works to make a bitting, dark, sweet social comedy.
The cast is littered with near-A list talent including Jennifer Gardner, Olivia Wild, Ty Burrell, and Alicia Silverstone. Many other cast members have familiar faces. They all do a great a job being overblown caricatures of stereotypes. Garner's ambitious house wife is crazed and in most hands would be completely unlikable. Instead she comes off as mildly sympathetic. Wild's stripper is deliciously depraved. Silverstone plays the liberal adoptive Mom with sensitivity without allowing the audience to forget why there is a stereotype.
The subplots twist and turn and at times I doubted that the movie would resolve things in a satisfactory manner. Then the movie ends and it all sort of makes sense.
I highly recommend Butter.

Robot & Frank

Robot & Frank was a surprisingly deep movie. I thought it was just going to be a feel good odd couple tale. Instead, it offered a commentary on aging, our relationship to technology, friendship, and dealing with the decline of a loved one. It is also funny.
Frank is a retired cat burglar with some memory problems who insists on living alone. He has two adult children that try to do the best for him. It is clear that Frank was not the best Dad nor is he easy to help out. He clearly values his independence. He is an old school tough guy.
One day his son, who visits once a week, drops off a robot to help Frank. The robot is programmed to take care of Frank and help him improve his health and flagging memory. The interactions between Frank and the robot are great. The robot, while looking like a clunker, is capable of improvising and using human tricks to manipulate Frank.
As one would expect, Frank develops a fondness for the robot. The robots attempts to engage Frank in a project drive the plot. The plot in turn drives the thematic exploration without ever hitting you over the head. Most of the thinking comes after the credits roll.
The writing and acting is superb. Frank is delicately played. You are never quite sure about how impaired he is. He walks the difficult line between being a stereotypical grumpy old man and a lovable scourge. His interactions with the rest of the cast quietly speak volumes about the love he has for life and the knowledge he has about how the thing that makes him human is slipping away from him.
Robot & Frank will make you laugh and cry. It will make you love life and dread getting older. As with all the best things, it is bitter sweet.

Sleepwalk With Me

A movie based on a This American Life skit is an interesting idea in theory. The danger in executing it is that it will feel like a fifteen minute skit dragged out for ninety minutes. The other danger is that a character who seems interesting for a brief moment will become loathsome over the long hall.
Sadly Sleepwalk With Me fell into both traps. The sleepwalking skit is one of the great TAL episodes. Mike Birbiglia's other bits are also typically funny. The problem is that he doesn't do the work to tie them together into a story that holds up for the duration. In many ways, the sleepwalking bit feels tacked on to a dull story about the end of a relationship. It doesn't add anything to the story and the humor is fleeting. The love story bit is too mixed up with the bit about becoming an adult and it doesn't seem to really mesh in anyway that is believable. It all hangs together like a ball of wet noodles. A film is too long for Birbiglia's meandering style to hold up. It works best when the audience cannot stop paying attention halfway through because they don't have time.
The other problem is that for the movie to work you have to like the central character. As he says "remember you are on my side". I was never on his side. I wanted the girl to walkout on him after the first five minutes. I wanted her to sleep with the hunky guy at the bar. I wanted him to fall asleep at the wheel. I didn't believe that any girl could have more than a passing "self loathing" moment where she would consider him suitable for anything more than a tool. I didn't even believe it when he finally figured out how to be funny.
Was it a terrible movie? No. Do I feel like it was a waste of ninety minutes? Not really. Would I pay to watch it? No.

The Counterfeiters

The Counterfeiters tells the story of a group of men who survive in a concentration camp by working as counterfeiters for the Nazis. Unsurprisingly, it is not a good date movie. Holocaust movies are rarely uplifting. Even when the protagonists survive, they are broken and their humanity has been stripped away. Even in victory they are defeated.
In The Counterfeiters, the choice of main character adds a twist to the standard narrative. He is a criminal whose humanity is already in question. We know, even before he is interred, that he will do anything to enrich himself. As the story progresses, he seems to gain humanity. In a sense, he becomes the nobel criminal. He uses his talents and questionable morals to help his fellow prisoners. He allows one of his mates maintain his honor and not become dehumanized.
I'd definitely recommend the movie; just not when you are in the mood for something light.

The Diving Bell and the Butterfly

"The Diving Bell and the Butterfly" is a visual interesting movie. Many of the scenes are shot from the point of view of the main character who has limited movement of his head and eye. This trick succeeds in conveying the issolation of the character. The use of flashbacks reinforces the tragidy by contrasting his current life with the vivaciousness left behind.
The performances are top notch. The ex-wife's pain and dedication are poignant. The father's performance, although brief, is one of the most touching I've seen.